Family at a glance
| Name | Relationship | Role in the household |
|---|---|---|
| Farah Khan | Mother | Renowned choreographer and public figure |
| Shirish Kunder | Father | Filmmaker and editor |
| Diva Kunder | Sibling | Triplet sister |
| Czar Kunder | Sibling | Triplet brother |
| Menaka Irani | Grandparent | Matriarch on the maternal side |
| Geetanjali Kunder | Grandparent | Grandmother on the paternal side |
| Kamran Khan | Grandparent | Elder with roots in film work |
Opening snapshot
I have been tracing the outlines of a young life that sits at the intersection of family legacy and private ambition. Born on 11 February 2008, she arrived as one of three in a burst of confetti and cameras. Numbers matter here. 3 siblings. 18 years by February 2026. The dates anchor a story that looks small on paper but feels like a constellation when you step back. The family is large in reputation and intimate in habit. They are at once a film family and a household where ordinary rhythms matter.
Childhood and early years
She grew up in a house threaded with choreography, scripts, and the sorts of breakfast-table conversations that always circle back to creativity. The triplet structure shaped everything. Siblings who are twins in spirit and distinct in personality make a three-part chord. I picture a household with schedules that look like small mission plans: rehearsals, schoolwork, camera-quiet afternoons. The year 2008 is the beginning line; the year 2026 is the threshold into adulthood. Between those two points are trophies, school plays, a few small awards for compassion toward animals, and classroom leadership roles.
School life and extracurriculars
Education has been a stage and lab. She led a huge student event in 2025, showcasing her design and organizing skills. I like that she oversaw planning and design for a huge Model UN event in 2025. That number reveals temperament. Design requires precision, emotion, and listening.
She also worked on early digital and creative ventures. Her early portfolio includes PivotAI, an experimental project. School years, extracurricular accomplishments, and a 2020 film database entry linking a person to an editorial department credit add up. That credit is a modest stone in a long route, but it indicates cinema curiosity beyond family lineage.
Public moments and recent headlines
Public attention spikes at certain dates. February 2026 is one such spike when the household celebrated the 18th birthday of the triplets. That milestone generated mainstream coverage and a few widely shared family photos. Beyond that there are NGO moments. She appeared on a conservation program alongside a family member, which signals interest in animal welfare. There is a PETA recognition listed in school posts that reads as a compassionate note rather than an industry award.
I think about how public moments are like lighthouses; they are bright, visible, and they tell ships where the shore is. But they do not show the sand underfoot or the conversations that happen in the dark. Most of what I can see are the lighthouses. Between them lie study sessions, design drafts, and late night talks about college and craft.
Family dynamics and roles
The family’s public roles are apparent. The choreographer mother is well-known in the profession. Father is a filmmaker and editor. Their histories contain creative struggles and reinventions. The grandparents on both sides weave film history into the family saga. One grandma performed action and stunts, while another was a matriarch who led a home through trials and victories.
Legacy as cushion and compass intrigues me. Legacy provides network and cultural capital. Legacy guides expectations and suggest similar work or public life. At the same time, the three siblings desire to establish their separate paths. One emphasizes student leadership and design. One may prefer performance or media. One is quieter. I prefer watching patterns to forcing a map early.
Numbers and markers
| Marker | Date or number | Significance |
|---|---|---|
| Birth year | 2008 | The year the triplets were born |
| Age at milestone | 18 | Reached in February 2026 |
| School leadership | 2025 | Head of layout and design for a large student event |
| Early film credit | 2020 | Listed in a film database under editorial department |
| Noted recognition | n.d. | PETA compassionate kid mention in school posts |
These figures form a skeleton. Flesh arrives in anecdotes, school newsletters, and the quiet work of a teenager laying the groundwork for a first adult step.
A personal note
I write this as someone who watches families unfold, not as an intruder but as a curious observer. I find the image of three sibling planets orbiting the same sun useful. They share gravity and light but keep separate orbits. One of those planets is the subject here. She is at the cusp where choices multiply and the gravitational pull of family both steadies and complicates decisions.
FAQ
Who is she in the family?
She is one of three siblings born on 11 February 2008. She is the daughter of a choreographer mother and a filmmaker father. In February 2026 she turned 18.
What has she done in school?
She took a leadership role in 2025 as head of layout and design for a major student event. She also participated in design and conservation projects while still in school and took part in student-led initiatives that mixed creativity and cause.
Has she appeared publicly?
Yes. She has appeared with family in public conservation programming and in family moments that surfaced when the 18th birthday was celebrated in February 2026. She also has a name associated with an editorial credit in a 2020 film database.
Does she have online profiles?
She maintains an online presence that is intentionally private for the most part. She appears in family posts and school communications rather than running a public celebrity account. Social profiles are set to privacy in many cases.
Are there any formal awards or recognitions?
Some school posts reference a compassionate award related to animal welfare. She has also been recognized at a student level for leadership in design. There are no public financial disclosures or business filings tied to her name at this stage.
